Vishay Αδιάβροχος Προβολέας LED μπάρα αυτοκινήτου 120W – Car lightled
LED προβολέας αυτοκινήτου – Car light
EJC Προβολέας 18W – EJC Irradiation lamp
Προβολέας εργασίας LED 10-30V – LED work light
Προβολέας αυτοκινήτου 36W – Car irradiation lamp
Led Προβολάκια λευκό φώς – Led irradiation lamp
LED προβολέας αυτοκινήτου CY-F19 – Led headlight
Qing tai προβολέας εργασίας 10-30V – Qing tai irradiation lamp
LED προβολέας 24W – LED Irradiation lamp
Προβολέας Αυτοκινήτου 12-24V – LED Irradiation Lamp
ZJD LED προβολέας VOL-S3820 – ZJD LED Irradiation lamp
HL προβολέας 33W – HL Irradiation lamp
LED Προβολέας 36W – LED Irradiation light
EJC LED προβολέας μπάρα οχήματος 45W – EJC LED Irradiation light bar 45W
EJC LED προβολέας μπάρα οχήματος 10-80V – EJC LED Irradiation lamp
LED μπάρα εργασίας – LED Irradiation light bar
LED προβολέας μπάρα 360W – LED Irradiation light bar 360W
EJC LED προβολέας μπάρα 615mm DLHM-150W – EJC LED Irradiation light bar
LED Προβολέας – LED Irradiation lamp
LED Προβολέας κίτρινο φως 24W – LED Irradiation yellow light
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.